Showing posts with label Opening Rception. Show all posts
Showing posts with label Opening Rception. Show all posts

Friday, April 5, 2019

my 'dressproject', out on the town, at the Attleboro Arts museum ...

I am pleased and honored to announce that I am 
all installation photos were taken by Abby Rovaldi

For the month of April, photos from my 'dailydress ...' series will be on exhibit in their Community Gallery. The majority of the photos are printed on aluminum which allows the spirit and details of the photos to shine through,  as there is no glass in front of the image nor material surrounding the image to distract.


'eat your veggies ...' & 'don't slip ...'
“dressproject…” Series by Virginia Fitzgerald; Photography on aluminum 


My 'dailydress ...' exhibition is running concurrently with the Attleboro's
'Tempera: Nature & Narrative'
exhibition: April 6th – May 4th, 2019

Opening reception and festivities are happening this Saturday:
April 6th:
2pm – 3pm: Egg tempera demonstration by exhibiting artist Eileen Kennedy
3pm – 4:30pm: Opening reception

Free and open to all.

all installation photos were taken by Abby Rovaldi
And as with all exhibits, I needed to revamp my 'dressproject ...' artist's statement:

'ladies in waiting ...'
my photos waiting to be hung.
“With the dress, I discovered my voice, the dress became my soapbox from which I could initiate a dialogue, engage in political debate, question social protocol and excavate my authentic self.” — Virginia Fitzgerald 

Virginia Fitzgerald is a passionate artist for whom life and art merge, which is reflected in all of her work. The objective of her art is to inspire others, urging them to think about their everyday lives, examine their surroundings, and revisit their thoughts, beliefs, and expectations. Fitzgerald achieves this through a multitude of media and series of work, one of these series being her “dressproject …” 

Fitzgerald’s “dressproject …” began in 2006 in Wells Beach, ME and since then Fitzgerald has created, designed, and built over a thousand of “artdress’es.” Fitzgerald has reinterpreted the dress form in a myriad of media and materials, such as; vcr tape, rope, asphalt, ice, rubber gloves, etc. Her “dressproject …” includes sculptures, photographs, ephemeral dresses, installations, and performances.  The “dressproject …” has also prompted a “dailydress …” blog, Facebook group and products, such as “dresscard’s,”  featuring origami dresses with empowering quotes and messages.  The “dressproject …” has led to collaborative projects where Fitzgerald works with different organizations,  encouraging the participants to bring new ideas, experiences, and emotions to the project. 

Fitzgerald’s “dressproject …” is relevant to the current issues being debated today. Fitzgerald sees the dress form as a symbol for one’s essential being, their core.  The work speaks to the emotional or lack of emotional connection between people. This body of work touches many people regardless of gender, age, background and experiences, and Fitzgerald strives to create a safe place for them to reconsider their place in the world.

As an artist, Fitzgerald is dedicated to making art that is provocative, that makes the viewer stop and think, art that will prompt a reexamination of an idea or belief. She is a champion of passion, individuality, and inspiration. Fitzgerald works and lives outside Boston with her two daughters in a house full of love and creativity. She is constantly observing, questioning, and exploring her surroundings.  To learn more about Virginia Fitzgerald please visit:
all installation photos were taken by Abby Rovaldi

Hope you can stop by!! I plan to be there on Saturday afternoon.  If you have any questions you can contact the Attleboro Arts Museum: 
thank you and peace ~ 

Monday, December 10, 2018

Holy - Moly!! Hang on, we are heading into the holidays!!

Just hear those sleigh bells jingling, ring, ting, tingling, too
Come on, it's lovely weather for a sleigh ride together with you
Outside the snow is falling and friends are calling, "Yoo hoo"
Come on, it's lovely weather for a sleigh ride together with you
And with the holidays,
comes pop-up shops, open houses, holiday sales and more.

Below is a quick rundown of  the holiday happenings for virginiacreates ....

TONIGHT, December 10th
4:00 - 7:00 PM (basically NOW)
Grand Opening at Coldwell Banker Residential Brokerage - Natick
Bubbles and bites and some 'dailydress ...' photos decking the walls!!
@31 South Main Street


Thursday, December 13th, 5:00 - 10:00 PM and
Saturday, December 15th, 4:00 - ?? :)


I will also be at both celebrations at the studios of the lovely and talented Bree Richey, of Bree Richey Designs. Stop by to find some beautiful and unique holiday gifts from local artists, as well as much holiday fun!!

And on-going is the pop-up shop at

Artisans are back by popular demand. Visit your favorites and check out their new items. Learn about new artists involved in the Roots & Wings community.

Artisans work include pottery, quilts, ceramics, cards, scarves, multi-media sculpture, mugs and accessories, jewelry, New England local honey & candles, and many more unique and finely crafted items. Surely we have something for everyone on your shopping list! We even have a slime-making artisan!

Mon-Fri, starts 11/14 (Opens 11/14, Mon thru Fri thru Dec ??)
4:00-7:00 pm
Pop Up Shop room, 1st fl. across from the rest rooms near the Wings studio.

Some of our Artisans:
Kathy James of Little Bird Beads
Andi Lindsey, Bazaar Quilts
Marci Zieff, Creating Calm Crystals and More
Virginia Fitzgerald, Virginia Fitzgerald Art
Eujin Kim Neilan, myUniT
Cheryl Dunlap, Just Bee and Me
Cathy Weaver Taylor, Phoenix Rising Art
Ashley Kane, Mala Beads
Shop 4-7 pm daily, Monday thru Friday. Or schedule a time to stop in. Contact us: (508) 315-8088

Tuesday, April 24, 2018

'for the love of ...' thank you Bobbi Gibb

Me and Christina Zwart who's piece, 'Fearless'
is a show stopper.  See photo below of Zwart
installing the piece. 
One of the biggest crowds to ever attend an opening reception at the museum, about 175-200, according to Director Mim Fawcett, did so Tuesday evening to check out Fawcett’s latest brainchild, “A Long Distance Relationship: The 26.2-Mile Journey. http://www.thesunchronicle.com/news/local_news/runners-high-attleboro-arts-museum-features-marathon-themed-art/article_4f7ea9b0-6155-5137-9804-0bd2055e4ac8.html
 The opening for 'A Long-Distance Relationship' was a success as noted in the Sun Chronicle's article, and I will concur.  The high spirits and festive energy of the evening were appropriate for the exhibition celebrating the many aspects of the Boston Marathon.  At the bottom of this post you can find the links to the numerous articles and reviews, as well as an excerpt from the Artscope article in which J. Fatima Martins talks about the different pieces from the exhibit in thematic duets.


It was an honor to see my newest sculpture, 'for the love of ...' (created for this exhibition) greeting all museum visitors at the entrance of the exhibit.  It was even a greater thrill to witness museum visitors reading my statement about the piece.

After doing much research about the marathon and particularly women in the Boston Marathon, I was greatly moved by Bobbi Gibb, the first woman to run the Boston Marathon is 1966.  Besides the fact that she was a trailblazer and ran the marathon even though her application had been denied because 'women cannot run the distance of a marathon', it was her love of running and her passion for life that really captured my interest.  Here is the longer version of my artist statement about 'for the love of ...'



‘for the love of …’ was inspired by the spirit and courage of Roberta ‘Bobbi' Gibb; lawyer, neuroscientist, artist, single mother and the first woman to run the Boston Marathon in 1966.  Not only has Bobbi Gibb been a trailblazer for women’s running and women’s rights but she has a love for life and a passion for life that needs to be celebrated. 
"I have always had a vision of a world where men and women can share all of life together in mutual respect, love and admiration; a world where we find health through exercise and through the appreciation of the spirit and beauty of the world and of each other; a world based on love and individual integrity, where we all have a chance to do what we most passionately love, to help others, and to become all we can become."http://runningpast.com/gibb_story.htm
Since Bobbi entered this world, in the elevator of the hospital, she has been on the move.  As a girl, she loved to move and to run, however, in the 1950's and 1960’s the expectations for women were to get married and start a family. As Bobbi approached adolescence, she saw her girlfriends stop running and playing:
“As soon as you became an adolescent, everything changed,” Gibb told Women in the World. “You started to become a woman and suddenly there were all these incredible constraints. I could see coming down the line that I was going to have to live in a box as a woman—literally, locked up in the house. We were expected to be housewives, and that’s all … We weren’t expected to have minds, and we weren’t expected to have bodies that ran.”“[Running] was sort of a spiritual thing, and I could get away from society and its rigid ideals,” she said. “It had nothing to do with sports. I knew nothing about the sporting world. I never stopped running when normal girls would stop running and settle down. I never became a normal girl.”https://womenintheworld.com/2015/04/20/the-incredible-story-of-bobbi-gibb-the-first-woman-to-run-the-boston-marathon/
In 1964 Bobbi’s father took her to see the Boston Marathon for the first time.  As a spectator, she felt a kinship with the runners.  She didn’t notice that it was only men running, what she saw were others who understood her love for running. Witnessing the marathon was a spiritual experience for Bobbi, one that she wanted to participate in. 
“I knew these people felt the same way I felt when I ran. I was reconnecting with some ancient potential almost lost in modern society, some deeply moving fundamental core of what it means to be human. And I felt that they were too--that we shared this bond.” Bobbi recalls.  Interview with Bobbi Gibb April 2011; http://www.billrodgersrunningcenter.com/inwibogi.html
After watching the marathon, Bobbi began to train and to test the distances that she could run.  One time she was running on the beach in Southern California and ended up running into Mexico.  She had no ID and her appearance caused some alarm among the border guards, they did not believe that this woman was just out for a run.  Fortunately, the confusion was soon resolved and Bobbi returned to North of the border.  Needless to say, Bobbi knew that she could run distances and at the beginning of 1966 she sent in her application for the Boston Marathon.  What she received in response to her application was a rejection, telling her that women were not physically capable of running marathon distances, that under the rules that governed amateur sports set out by the AAU, women were not allowed to run more than a mile and a half competitively. 
To Gibb, her rejection emphasized the ridiculousness of the situation,
"It was a catch 22; how can you prove you can do something if you’re not allowed to do it? If women could do this that was thought impossible, what else could women do? What else can people do that is thought impossible?” http://runningpast.com/gibb_story.htm
So even though her application was rejected, nevertheless, she persisted,  Bobbi decided to run the Boston Marathon. On marathon day, while waiting to run Bobbi hid in some forsythia bushes near the starting line because she was afraid of how people would respond if they discovered that she was a woman, fearful that she would be physically removed and/or arrested.  In 1966 many thought it was life-threatening for a woman to run anything longer than 1.5 miles, it was believed that a woman’s uterus would fall out harming a woman’s reproductive capabilities which were thought to be the main raison d'être for women, it was not proper for a woman to be seen exerting herself, it was not lady-like for women to sweat.  Bobbi knew that she would be threatening many societal norms for women.  But she felt like it was time to challenge these beliefs.  Also, Bobbi loved running and wanted everyone, men and women, to be able to experience the nirvana that she experiences when she runs, 
"It (running) came naturally to me. When I ran, all the stresses of the day disappeared. I felt like myself, like a bird flying, free and happy. I felt close to something spiritual, close to the mystery of being, you might say. I felt connected with the creative power of life. I feel most alive when I run. I feel the energy of the whole universe pouring through me and I feel grateful to be alive here on this planet in this world.” Interview with Bobbi Gibb April 2011; http://www.billrodgersrunningcenter.com/inwibogi.html
Bobbi ran and won the ‘unsanctioned’ women’s division of the Boston Marathon in 1966, 1967 and 1968.  After 1968 her energies and interest turned to her studies.  She applied to medical school and was denied because of her gender, but she wasn’t deterred she went to Law school.  Bobbi Gibb is a champion of women’s rights, her action on April 19, 1966, added fuel to the Women’s movement of the time which was challenging many of the restrictive beliefs that held women back from contributing to the world and discovering their authentic selves. Bobbi knew that she was making a political and social statement when she jumped into the marathon, and as much as she was happy to shatter many of the prejudices against women, she ran because she loved to run, she wanted to be part of this primitive fundamental experience of running en masse and she wanted to share this experience with women, half of the population.  
Thank you, Bobbi. 
from the official Boston Athletic Association’s website:    Pioneer Era of Women’s Participation 1. Roberta (Bobbi) Gibb (MA) 3:21:40http://www.baa.org/races/boston-marathon/boston-marathon-history/race-summaries/1966-1970.aspx







THEMATIC DUETS: 
2. Abby Rovaldi’s “My 26.2 Miles,” composed of 20 etchings, and “Virginia Fitzgerald’s” rock tied ribbon dress installation, “Torqued and Tethered,” offer a conversation about struggle and endurance. To create the 20 dark etchings that depict her personal 26.2-mile marathon journey, Rovaldi attached a 5” x 9” zinc plate to the bottom of each of her shoes and walked 2.62 miles to create the aggressive lines necessary for printing. Fitzgerald’s beautiful cream colored ribbon dress in held to the floor with over two dozen found rocks of various sizes and weights arranged into a circle. This piece offers a puzzling shamanistic energy; it’s remarkably graceful and buoyant and yet contains a vexed tonality communicating a women’s struggle to break free from what’s holding her in place — she is twisting upward while fixed in place.
https://artscopemagazine.com/2018/04/thematic-duets-in-a-long-distance-relationship-the-26-2-mile-journey-at-attleboro-arts-museum/

In the News

NBC WJAR-TV previews the Attleboro Arts Museum’s “A “Long-Distance Relationship: The 26.2 Mile Journey”  – http://turnto10.com/news/local/attleboro-arts-museum-opens-boston-marathon-exhibit

Thursday, February 6, 2014

you're invited . . .

. . . to TWO openings this weekend!! very, very exciting!!
Flirt 
Dedham, MA
the opening reception
Friday night, Feb 7th, 7-9 PM,

'flirt' the installation - at Mother Brook, Dedham, MA
This inaugural art exhibition at show has been described as “an intoxicating visual feast”

Join us Friday, February 7th 
for an artists’ reception with live music from 7-9PM

Motherbrook Arts & Community Center | 123 High Street | Dedham, MA

Cheese, Wine, Fruits & Sweets by Whole Foods of Dedham
*Storm date: Sunday, February 9th, 4-6PM

A Group Show Featuring the Work of

'the daily dress series'
at Baldwin Hill Art and Framing,
Natick, MA


I am so excited about this exhibit, we are showing many photographs of my ephemeral dresses, 
or more recently called my daily dresses AND my creatures!!
And even more exciting is that I will be performing 'insatiable' during the opening!!

Join us for the opening reception,
Saturday February 8th, 2014 5-9PM

8 Court Street
Natick, MA 01760
508-720-0310
Hours: Tue-Fri-Sat 11AM-5PM, Thu 11AM-8PM
Wednesday By Appointment
CLOSED Sunday & Monday


Friday, September 16, 2011

Opening tonight!! Red Alert's coming out!!

Red Alert Cocktail Dress is part of In the Bag
In the Bag
Opening Reception at Boston Children's Museum:
Friday, Sept 16, 2011 from 6 - 8 p.m.

The reception will be followed by dinner at:
Lot F Gallery, 145 Pearl Street #4Boston, MA




the art & politics of the reusable bag movement
Artists and communities working together to save the planet.

September 16 - November 30, 2011
In the Gallery at Boston Children's Museum
308 Congress Street
Boston, MA 02210
  

FEATURED ARTISTS 
    Miggs Burroughs

    Virginia Fitzgerald

    Virginia Fleck

    Julian Gilbert 
Karen Guancione

Sarah Hollis Perry

Dan Price

Dan Steinhilber