Showing posts with label subscription card series. Show all posts
Showing posts with label subscription card series. Show all posts

Monday, October 5, 2015

did you know it was #INKTOBER ????

'kitchen table, boerenbont ...' 
Thanks to social media I have learned that October in INKTOBER ...
"31 Days 31 Drawings.Every October artists all over the world take on the INKtober drawing challenge and do one ink drawing a day the entire month." inktober.com
index card from #ICAD2015
 Now if you have followed me for any amount of time you will know that I adore 'challenges', daily assignments, & all this participatory :) and I LOVE working in ink!! However this past week I have made an commitment to myself to not spread myself, to practice focusing on the task at hand; 
enter dilemma!!!  

Enter compromise ... 
So I am not making a commitment to inktober,  posting everyday! though I'm sure you may see a new ink drawing here or there.) Also there will be posts, like today, that deal with ink drawings .... 

compromise?!?! I'm not sure,  I do KNOW that I am jonesing to find my pen and start drawing, but alas, taxes are calling :(

So on to the other  inky news: 
'once more with feeling ...'

'phases of the moon ...' subscription card series 
This weekend I once again applied for a Massachusetts Cultural Council Artist Grant, this time in the drawing category. I first considered submitting my "subscription card" series, especially as grant committees are mostly looking for the unusual, the unique, something different and usually cutting edge.
However as I was complying the subscription cards that I was going to submit to the MCC, I was also pulling together some of my "kitchen table" series to decide which drawing to donate to the Attleboro Arts Museum's benefit auction.
When I had both series in front of me, and even though I believe the subscription cards are a more unique series, I ended up submitting drawings from my "kitchen table" series, because these drawings really represent a quality of life that I wish to celebrate.  
Below are the images and a brief description that I submitted .... 
kitchen table I 
kitchen table II

kitchen table III

" These drawings are part of the ‘kitchen table’ series. This body of work is a celebration of the beauty and simplicity of everyday life.  Rendered mostly in pen and ink, these drawings are a return to basics; to line, to expressive marks, to black and white, dark and light.  A discovery of the wonders revealed from what remains on a kitchen table. "

kitchen table IV
'kitchen table V' was donated to be part of the Attleboro Arts Museum's Benefit Auction, I will post the link to the auction as soon as they do.

kitchen table V


 happy monday & peace, va



 
 

Wednesday, July 1, 2015

#wip wednesday: introducing my index-card-a-day collection . . .

(my #wip: #icad2015 . . . . what are you working on??? xxx)
card#1: breakfast al fresca  _ pen and ink #icad
this week I am on the road to the chicago area to check-in with my parents, so I am away from my studio and my endless access to all things art supplies.  But it is all good because I am using this time to play catch-up with an exciting endeavor that I learned about last month:
hosted by Yellow Daisy.  

For anyone who knows me and/or follows me you know that I am a daily challenge junkie!! Love the idea of producing art everyday and sharing it.  I love this idea because it removes that 'precious' element of the end product, because you are just making art!!!  And this idea is one of the main points in my current reading book,


I thoroughly enjoyed Austin's book,
Steal Like an Artist, and so far I'm loving 'show your work'
Both books are inspirational is their message to just WORK!!! 
stop getting in your way, stop being stymied by do's and dont's 
(or at least the message that I get)
work!! work!! work!!
card#2  thank you Vincent  _ pen and ink, marker #icad
and now he speaks of sharing;
 I LOVE sharing!!
share, share, share!!!
this is my banner for my dailydress intentions group on FB  
Reading this book has been quite encouraging in that it champions the practice of sharing!!! and I can NOT tell you how many times I am writing a dailydress inspiration blog post, or editing an instagram post and I get thrown into a tornado of inner nay-sayers criticizing my uses of my time and question the validity of sharing. 

card#3 tray table still life  _ pen and ink #icad

Though Austin Kleon does caution:
"of course, don't let sharing your work take precedence over actually doing your work."
and for those of us that seem to get sucked into the wonders of the internet, he suggests: 
"If you are having a hard time balancing the two, just set a timer for 30 minutes.  Once the timer goes off, kick yourself off the internet and get back to work."
And with that suggestion in mind I am going to wrap up today's post.  
card#4: breakfast remnants   _ pen and ink #icad
Just want to share the few cards that I have done for #icad2015.  
This is a perfect project for me right now, 
as I am doing a lot of talking and waiting on phones and waiting in waiting rooms.    

card#5: lunch on the patio with mom and dad  _ pen and ink #icad

In fact this challenge reminds me of my dailydressjournal from 2011 and my subscriptioncard series, both of these series were results of the demands of life keeping me out of my studio, however I used whatever I could to create - the scraps of everyday life andor the endless supply of subscription cards found in every waiting room.

card#7: long day . . . pencil #icad
so introducing the start of my #icad2015 collection.  I will be sharing more here but you can also find my #icad cards on Instagram and on my Virginia Fitzgerald, art and design FB feed, on a more regular basis.

card#7 prompt14: salt and pepper  _ pen and ink #icad
Happy Wednesday!!
what are you working on???
peace and thanks for visiting, va



Monday, May 20, 2013

I few updates . . .



I am honored that the Wellesley Weston Magazine picked up my story about my Dana Hall projects and put it on their blog!! Thank you Wellesley Weston magazine!  



Also for those followers and fans of my dresstags I have started posting daily dress inspirations on my other blog and started a FB group (as a learning experience) 


SO if you would like to get a positive, daily idea or quote or sentiment, with or with out a dress :) check out the blog: http://dailydressproject.blogspot.com/
or the FB group:
If you can't get onto or even view the group let me know, this is all part of the learning experience :)

"inquiring minds want to know"

Also some news about shows and rejections and my subscription card series ~ 
growth, one: mixed media and beads on transfer
growth, one: detail
Sadly, I learned today that growth, one did n't get into the FSFA's exhibit 'no limit'.  It was  the first times that I submitted a piece based on my obsessively drawn subscription cards.  This call for art was digital and I am not sure if you can get a true sense of this piece via a computer screen, and only one image?!?! It is a small piece: 6.5"x8.5" and one never knows what the juror is looking for or how a show is coming together, alas.  However by the look of the artists who did get in it has promise to be a show not to miss!! 
http://www.fountainstreetfineart.com/exhibits.html

But I am not discouraged (or maybe I am a glutton for punishment?!) I submitted 'spinning I' to the Attleboro Arts Museum's show, 'what goes around'.  They jury is still out about if this piece is in or not.  

'spinning I' is another mixed media piece based on my subscription cards ~
'spinning I' drawing and sewing on transfer
this is the backside of spinning, the sewing tracks

Friday, April 26, 2013

getting out there!!

spirit tree - mixed media on photo transfer with sewing (8x10)
 
spirit tree detail

without a doubt, I fit the definition of a struggling artist, scrambling to find the way 
to support me and my girls with my art/ my passion!!! 
garden party dress - mixed media on transfer (5x7)
this desire regularly brings me to a state of frenzy  ~ I work on one project, but then move to another project that may be more profitable and then abandon everything to explore a new inspiration!? or maybe my time is better spent making dresscards?!??! did someone mention ADHD??? 
(oh & did i mention groceries, girl taxi service, bills, paycheck jobs...)
green dress - mixed media on transfer (5x7)
Now I am not unique, many know this story, but as I was beginning to sink into hopelessness, I realized that I need to get my art out there before I jump ship.  I have many, MANY unfinished projects, and not a lot out in the world ~ but that changes NOW!


look to the sky - painting on transfer (8x10). part of a series of sky and bits of architecture
I am happy to announce that some of my most recent works are NOW on exhibit at 
And there is A LOT going on at FSFA ~ tonight is the opening of 'materialize', Lisa Barthelson and Denise Driscoll, as well as the Fountain Street Studios' open studios, not to mention FSFA's 8x8 member exhibit ~ so much art in one spot, and now some of my work has joined the fray!!!

mixed media and sewing on subscription cards
detail of loose threads
These pieces represent the many different 'interests' that i have been obsessed with these past months - subscription cards, transfers, photographs,  . . .  as I matted these works I realize that each of them speaks to me.  This is confusing as well as significant, as I have a show at Fountain Street Fine Art this October, and I am wondering/thinking/curious about what I am going to show?!?!? so we will see ~


just in time for mother's day!!!
I am also delighted to say I finally finished more dresscards ( for some reason this was a daunting task) but I now have a good supply which I am distributing to those who want them ~ 
Fountain Street Fine Art, Framingham, MA



Friday, March 22, 2013

an obsession progression

CARD#8

transfer on CARD#8 onto BFK cream paper and then worked on, with pen and whiteout pen

use gesso on transfer

work over gesso with pens, gold pen,...

reworking more . . . . (yuck)

added collage elements, then worked in with pen, gesso . . .

Not sure if it is completely done BUT I am happy with where it is - I am feeling just a bit more emphasis of some of the lines but NOT much!!! 

any thoughts?!?!?!

Saturday, March 9, 2013

An illuminating weekend, part l



Last weekend I had the privilege of spending 2 luscious days camped out at a monastery with Michael Dowling and 5 other creative and vivacious artists.  It was an amazing 48 hours where I was reminded of my place as an artist while experiencing Michael’s many observations, one of them being the interconnection of everything and how we need to have faith that where we are is exactly where we need to be.

Michael Dowling has come into my artistic life off and on for many years, usually at a time of self-doubt and artistic struggle.  He gave me the awesome opportunity to create my installation; ‘this comes from within’ in his gallery at Medicine Wheel in 2009. So it was really no surprise that I had ended up at one of his artist’s retreat, although I almost didn’t get there.

I was coming off a few intense, emotional weeks – helping my parents after my father’s surgery as well as continuing the labyrinth of getting divorced and caring for my girls.  Upon returning from Phoenix I was feeling overwhelmed and tired. 

It was my youngest, Harriet, who encouraged me to go on this artist’s retreat when she heard about it ~ two days before it began. Harriet knew it was exactly what I needed.

I knew this was EXACTLY what I needed.  However, when Friday afternoon came, instead of packing my car, I fell into bed, questioning my ability to even drive the 1½ hour to the retreat and my role as an artist.

Bexley @ Kenyon
While I pondered the idea of just sleeping for years, my phone beeped.  It was a photo text from a number I didn’t recognize. In my sleepy state thought it was from the folks from the retreat showing me where we were going to work.  I had inquired about what I needed to bring and about the facilities. 

When I saw the picture, my heart skipped a beat. I knew we were going to a monastery and this picture had a ‘scared’ feeling. In fact it looked exactly like my old studio at Kenyon College, a place I loved and basically lived.  Bexley, the building that housed the art department, had been Kenyon’s seminary and now the theology student’s old rooms were the art student’s studios. I felt a huge connection between the past divinity school and the art department, both working from a more intuitive and spiritual place.

So out of the blue, when I was truly about to disappear from the world, I get this picture that got me out of bed.  I thought if there was a chance of working in a place similar to Bexley then I am there.  And in fact, why wasn’t I there NOW!!!
 
I scrambled to gather any supplies that I might need  - paints, canvases, yarn, crochet hooks and of course subscription cards.  I also figured out that the picture was in fact of Bexley, sent by artist/illustrator and friend Jeff Decoster, from the West Coast,.  He had just found it on his computer and thought I’d enjoy seeing it!!!!

Thank you UNIVERSE!!!  It was this picture that got my weary self out of bed and into Friday evening Boston traffic.
 When I finally found the monastery, in the dark, I was greeted with a wholehearted hug from Michael and a delicious meal at a table of kindred spirits!  exactly what the doctor ordered.

Once dinner was over we wandered through the building we were allotted, each setting up our work place.  I settled at a table in a library, surrounded by shelves of books about religion, and pulled out one of my subscription cards.  

The others set up and Michael wandered between us reading from John O'Donohue’s  To bless the space between us : a book of blessings’ ~ heaven.

 As the evening went on Michael saw my card and made the correlation between my ”doodles” and many of the Celtic illuminations found in the surrounding books.  At the word ‘doodle’ my being stiffened.  As much as I love doodling that word conjures up more derogatory emotions than positive ~ I was constantly criticized and penalized for my doodles in school and doodling is associated with wasting time. 
doodle |ˈdoōdl|
verb [ intrans. ]
• scribble absentmindedly : he was only doodling in the margin.
• engage in idle activity; dawdle
“Absentmindedly’ and ‘idle’ are two words that don’t sit well with my puritan- ethic training. 

CARD#18

So I mentioned my reaction to Michael and he questioned me. “why not call them doodles?? Doodling is the most intuitive and authentic form of drawing?!?? Aren’t the illuminations on many of these surrounding books doodles, in one way or another??? And with those words Michael found the Book of Kells and began to lay my cards among the pages. There was a relationship. 
a transfer in my tester book
By referring to my cards as doodles, Michael had stirred an insecurity.  I have been wondering about these cards, in reference to my artistic journey.  I have been questioning their integrity.  I had started them a year ago and put them away because I convinced myself they were an idle activity.   


My desire to do draw on my ‘cards’ was almost overwhelming.  I have begun a test book full of transfers of these cards ~ some that I work back into.  I have done some transfers on ‘good’ paper that I rework.  And yet I was fighting that urge and when Michael saw this he asked, “why fight it, think of these works as illuminations.”

With that suggestion I was able to breathe deeper and I felt a peace.  I recognized a part of me that would LOVE to be one of the monks that would go into these vast sunlight halls to sit at a long table and make drawings all day long. Whenever I am able to go on a retreat or residency I become extremely monastic – I just want to work!! I enjoy the communal meals, I LOVE that someone else is cooking!!!  But bottom line is that I am completely happy alone, with my art supplies.  So I ‘doodled’ for the remaining time of the retreat. 

When it was time to leave I had a few more subscription cards in my collection and some photos of a connection between manuscripts done centuries ago and my doodles that I am driven to do today. Where do I go from here??? Not sure, but I left the retreat with an assurance that I need to explore this ‘card’ journey further, even though I am not sure why. More about this experience to come . . . but for now ~
 peace

Tuesday, February 19, 2013

new series: subscription cards

CARD#4
Last week my life took a swift turn as my father had a serious surgery and I ended flying to Phoenix to help. Even though I brought my bag full of tricks - needle and thread, crochet hook, I have turned to another one of my recent obsessions : subscription cards.

CARD#5
CARDS FROM LAST YEAR - WITH SEWING





















This series began last year when I was in the throws of my divorce and consequential move. It was a very stressful time and I didn't have any time to go to my studio, so I suddenly  began to obsessively draw on subscription cards, easily found and a convenient  size ~ any doctor's waiting room and fits into my purse.


CARD#6

TRANSFER#3


People questioned my choice of subscription cards - couldn't I just as easily do these drawing on better paper?!? Well when I worked on plain paper it wasn't the same. The  subscription card gives me a structure  to work with.  


CARD#1

Also, I liked the idea of working with an item which annoyed many and that most people just toss. This was the same attraction that brought me to my bottle cap jewelry business, many moons ago. And as happened with the bottle-caps is happening with the cards, as I start collecting subscription cards I notice the vast variety, some with wonderful colors, designs and graphics. When I draw on each card I incorporate these elements in the larger design.  As with so much of my work, I view the card as a puzzle to solve, how do I make the card work as a whole.  However, also allowing an intuitive, organic approach to the drawing. This is the similar theory behind my 'creatures'. 

TRANSFER#1



Since arriving in Phoenix I have been busily and obsessively working on cards?!?! I'm not sure where they are going, but I KNOW I need to do them.  But I wonder - are they pieces on their own, springboards for other pieces or just a way for me to stay sane?!?! My thought is that they are all of the above!!



While here I have also experimented with using the cards to make transfers (thanks to Cheri Clinton's workshop)  and see many a possibility!!!

So here are some of these obsessions - putting them out into the cyber world. If u have thoughts or suggestions I am curious to hear them, if you so desire.  Now back to the current card!! :)
Peace