Here is the list of poems and images of and on the 'dress of poetry ...'
Wild Nights — Wild Nights!
Emily Dickinson
The Low Road
- Marge Piercy
What can they do to you?
Whatever they want..
They can set you up, bust you,
they can break your fingers,
burn your brain with electricity,
blur you with drugs till you
can’t walk, can’t remember.
they can take away your children,
wall up your lover;
they can do anything you can’t stop them doing.
How can you stop them?
Alone you can fight, you can refuse.
You can take whatever revenge you can
But they roll right over you.
But two people fighting back to back
can cut through a mob
a snake-dancing fire
can break a cordon,
termites can bring down a mansion
Two people can keep each other sane
can give support, conviction,
love, massage, hope, sex.
Three people are a delegation
a cell, a wedge.
With four you can play games
and start a collective.
With six you can rent a whole house
have pie for dinner with no seconds
and make your own music.
Thirteen makes a circle,
a hundred fill a hall.
A thousand have solidarity
and your own newsletter;
ten thousand community
and your own papers;
a hundred thousand,
a network of communities;
a million our own world.
It goes one at a time.
It starts when you care to act.
It starts when you do it again
after they say no.
It starts when you say we
and know who you mean;
and each day you mean
one more.
My Symphony
William Ellery Channing
To live content with small means.
To seek elegance rather than luxury,
and refinement rather than fashion.
To be worthy not respectable,
and wealthy not rich.
To study hard, think quietly, talk gently,
act frankly, to listen to stars, birds, babes,
and sages with open heart, to bear all cheerfully,
do all bravely, await occasions, hurry never.
In a word, to let the spiritual,
unbidden and unconscious,
grow up through the common.
This is to be my symphony.
“But then they danced down the street like dingledodies, and I shambled after as I've been doing all my life after people who interest me, because the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars...”
― Jack Kerouac, On the Road
Wild Geese Mary Oliver You do not have to be good. |
You do not have to walk on your knees |
for a hundred miles through the desert repenting. |
You only have to let the soft animal of your body |
love what it loves. |
Tell me about despair, yours, and I will tell you mine. |
Meanwhile the world goes on. |
Meanwhile the sun and the clear pebbles of the rain |
are moving across the landscapes, |
over the prairies and the deep trees, |
the mountains and the rivers. |
Meanwhile the wild geese, high in the clean blue air, |
are heading home again. |
Whoever you are, no matter how lonely, |
the world offers itself to your imagination, |
calls to you like the wild geese, harsh and exciting - |
over and over announcing your place |
in the family of things. |
Wild Nights — Wild Nights!
Emily Dickinson
Wild Nights — Wild Nights!
Were I with thee
Wild Nights should be
Our luxury!
Futile — the Winds —
To a Heart in port —
Done with the Compass —
Done with the Chart!
Rowing in Eden —
Ah, the Sea!
Might I but moor — Tonight —
In Thee!
“What Do Women Want?”
I want a red dress.
I want it flimsy and cheap,
I want it too tight, I want to wear it
until someone tears it off me.
I want it sleeveless and backless,
this dress, so no one has to guess
what’s underneath. I want to walk down
the street past Thrifty’s and the hardware store
with all those keys glittering in the window,
past Mr. and Mrs. Wong selling day-old
donuts in their café, past the Guerra brothers
slinging pigs from the truck and onto the dolly,
hoisting the slick snouts over their shoulders.
I want to walk like I’m the only
woman on earth and I can have my pick.
I want that red dress bad.
I want it to confirm
your worst fears about me,
to show you how little I care about you
or anything except what
I want. When I find it, I’ll pull that garment
from its hanger like I’m choosing a body
to carry me into this world, through
the birth-cries and the love-cries too,
and I’ll wear it like bones, like skin,
it’ll be the goddamned
dress they bury me in.
The Low Road
- Marge Piercy
What can they do to you?
Whatever they want..
They can set you up, bust you,
they can break your fingers,
burn your brain with electricity,
blur you with drugs till you
can’t walk, can’t remember.
they can take away your children,
wall up your lover;
they can do anything you can’t stop them doing.
How can you stop them?
Alone you can fight, you can refuse.
You can take whatever revenge you can
But they roll right over you.
But two people fighting back to back
can cut through a mob
a snake-dancing fire
can break a cordon,
termites can bring down a mansion
Two people can keep each other sane
can give support, conviction,
love, massage, hope, sex.
Three people are a delegation
a cell, a wedge.
With four you can play games
and start a collective.
With six you can rent a whole house
have pie for dinner with no seconds
and make your own music.
Thirteen makes a circle,
a hundred fill a hall.
A thousand have solidarity
and your own newsletter;
ten thousand community
and your own papers;
a hundred thousand,
a network of communities;
a million our own world.
It goes one at a time.
It starts when you care to act.
It starts when you do it again
after they say no.
It starts when you say we
and know who you mean;
and each day you mean
one more.
My Symphony
William Ellery Channing
To seek elegance rather than luxury,
and refinement rather than fashion.
To be worthy not respectable,
and wealthy not rich.
To study hard, think quietly, talk gently,
act frankly, to listen to stars, birds, babes,
and sages with open heart, to bear all cheerfully,
do all bravely, await occasions, hurry never.
In a word, to let the spiritual,
unbidden and unconscious,
grow up through the common.
This is to be my symphony.
Silent Poem
Robert Francis
backroad leafmold stonewall chipmunk
underbrush grapevine woodchuck shadblow
woodsmoke cowbarn honeysuckle woodpile
sawhorse bucksaw outhouse wellsweep
backdoor flagstone bulkhead buttermilk
candlestick ragrug firedog brownbread
hilltop outcrop cowbell buttercup
whetstone thunderstorm pitchfork steeplebush
gristmill millstone cornmeal waterwheel
watercress buckwheat firefly jewelweed
gravestone groundpine windbreak bedrock
weathercock snowfall starlight cockcrow
― Jack Kerouac, On the Road
Our Deepest Fear
By Marianne Williamson
SEVEN AT THE GOLDEN SHOVEL.
By Marianne Williamson
Our deepest fear is not that we are inadequate.
Our deepest fear is that we are powerful beyond measure.
It is our light, not our darkness
That most frightens us.
Our deepest fear is that we are powerful beyond measure.
It is our light, not our darkness
That most frightens us.
We ask ourselves
Who am I to be brilliant, gorgeous, talented, fabulous?
Actually, who are you not to be?
You are a child of God.
Who am I to be brilliant, gorgeous, talented, fabulous?
Actually, who are you not to be?
You are a child of God.
Your playing small
Does not serve the world.
There's nothing enlightened about shrinking
So that other people won't feel insecure around you.
Does not serve the world.
There's nothing enlightened about shrinking
So that other people won't feel insecure around you.
We are all meant to shine,
As children do.
We were born to make manifest
The glory of God that is within us.
As children do.
We were born to make manifest
The glory of God that is within us.
It's not just in some of us;
It's in everyone.
It's in everyone.
And as we let our own light shine,
We unconsciously give other people permission to do the same.
As we're liberated from our own fear,
Our presence automatically liberates others.
We unconsciously give other people permission to do the same.
As we're liberated from our own fear,
Our presence automatically liberates others.
The Secret
Denise Levertov
Two girls discover
the secret of life
in a sudden line of
poetry.
I who don’t know the
secret wrote
the line. They
told me
(through a third person)
they had found it
but not what it was
not even
what line it was. No doubt
by now, more than a week
later, they have forgotten
the secret,
the line, the name of
the poem. I love them
for finding what
I can’t find,
and for loving me
for the line I wrote,
and for forgetting it
so that
a thousand times, till death
finds them, they may
discover it again, in other
lines
in other
happenings. And for
wanting to know it,
for
assuming there is
such a secret, yes,
for that
most of all.
We Real Cool
Gwendolyn Brooks, 1917 - 2000
THE POOL PLAYERS.SEVEN AT THE GOLDEN SHOVEL.
We real cool. We Left school. We Lurk late. We Strike straight. We Sing sin. We Thin gin. We Jazz June. We Die soon.
Kitty Tsui (1952).When a cat is asleepWhen a cat is asleep There is nothing asleep That is quite so asleep As a cat. She has finished with darting, Careening and leaping Now even the soft air around her is sleeping.CloudsChristina Georgina RossettiWhite sheep, white sheep, On a blue hill, When the wind stops, You all stand still. When the wind blows, You walk away slow. White sheep, white sheep, Where do you go?Stopping by Woods on a Snowy Evening
BY ROBERT FROSTWhose woods these are I think I know.His house is in the village though;He will not see me stopping hereTo watch his woods fill up with snow.My little horse must think it queerTo stop without a farmhouse nearBetween the woods and frozen lakeThe darkest evening of the year.He gives his harness bells a shakeTo ask if there is some mistake.The only other sound’s the sweepOf easy wind and downy flake.The woods are lovely, dark and deep,But I have promises to keep,And miles to go before I sleep,And miles to go before I sleep.
The Red Wheelbarrow
William Carlos Williams, 1883 - 1963
so much depends upon a red wheel barrow glazed with rain water beside the white chickens
Phenomenal Woman
BY MAYA ANGELOuPretty women wonder where my secret lies.
I’m not cute or built to suit a fashion model’s sizeBut when I start to tell them,They think I’m telling lies.I say,It’s in the reach of my arms,The span of my hips,The stride of my step,The curl of my lips.I’m a womanPhenomenally.Phenomenal woman,That’s me.I walk into a roomJust as cool as you please,And to a man,The fellows stand orFall down on their knees.Then they swarm around me,A hive of honey bees.I say,It’s the fire in my eyes,And the flash of my teeth,The swing in my waist,And the joy in my feet.I’m a womanPhenomenally.Phenomenal woman,That’s me.Men themselves have wonderedWhat they see in me.They try so muchBut they can’t touchMy inner mystery.When I try to show them,They say they still can’t see.I say,It’s in the arch of my back,The sun of my smile,The ride of my breasts,The grace of my style.I’m a womanPhenomenally.Phenomenal woman,That’s me.Now you understandJust why my head’s not bowed.I don’t shout or jump aboutOr have to talk real loud.When you see me passing,It ought to make you proud.I say,It’s in the click of my heels,The bend of my hair,the palm of my hand,The need for my care.’Cause I’m a womanPhenomenally.Phenomenal woman,That’s me.LOVE YOUR ENEMYYusef Imanbrought here in slave ships and pitched overboard. Love your enemy language taken away, culture taken away Love your enemy work from sun up to sun down Love your enemy Last hired first fired Love your enemy Rape your mother Love your enemy Lynch your father Love your enemy Bomb your churches Love your enemy Kill your children Love your enemy Forced to fight his Wars Love your enemy Pay the highest rent Love your enemy Sell you rotten food Love your enemy Forced to live in slums Love your enemy Dilapidated schools Love your enemy Puts you in jail Love your enemy Bitten by dogs Love your enemy Water hose you down Love your enemy Love, Love, Love, Love, Love, for everybody else, but when will we love ourselves??????? From: Something Black, Copyright 1966 by Yusef Iman
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