Showing posts with label this comes from within. Show all posts
Showing posts with label this comes from within. Show all posts

Monday, May 26, 2025

bringing attention to the everyday to elevate it to the sacred ...

My roommate during my artist's retreat is very eloquent, as well as being a beautiful person inside and out. She described my work saying, “You gave a clear and compassionate vision for bringing attention to the everyday to elevate it to the sacred.”

That statement sums up my creative vision. Bringing attention to the everyday is a constant thread throughout my creative journey, from creating an international business selling jewelry and gift items made out of ‘used’ bottle caps to an 8 foot dress sculpture out of eggshells. 
Thank you Siobhan for such a succinct description of my creative process.

As I’ve mentioned earlier, in San Gimignano I started this series of site-specific mixed media collages. I created around 20 of these pieces, and was reluctant to stop.

Of course I had to bring back some of my found treasures. Needless to say, I was waiting for customs to question my need to bring ‘trash’ back with me. But that’s the point, it is not trash to me.  


Fortunately I wasn't searched or even questioned. So I have a few of my treasure with me, however I feel that an interesting element of this series is that it is site specific so I am applying to the Gallery 263's  2025 Artist in Residence to see what the streets of Cambridge might inspire! Wish me luck & peace.

Monday, August 9, 2021

so this is happening ...

Earlier this year I was invited to have a solo exhibition at the Anderson Gallery at Bridgewater State University.  When touring the gallery space I was told that I could paint on the walls which made my heart jump for joy.  

One of my favorite exhibits had been my installation 'this comes from within ...' which was staged at Michael Dowling's Medicine Wheel, back in 2009.  For this piece I covered the walls of the gallery with what I now refer to as my 'intuitive line painting'. So when I was presented with the option of painting on the gallery's walls I jump at it.
Instead of covering the entire gallery I decided to concentrate on one side of the gallery, creating a space centered around my sculpture, 'lilith in blue ...' For this installation I have covered a desk, a medicine cabinet, a rocking horse and a hanging panel of fabric, along with numerous knick-knacks, with my 'intuitive line painting' in blue and white, to create 'lilith's room ...'  

I am very excited about this installation.  I have been painting the components in my studio for the past few months and wish to share a few of the 'in process' photos and videos here.

lilith's rocking horse ...


flipping the hanging fabric panel to paint the other side ...
the second side of the fabric panel wit ladder

a quick look at how I create the particular line quality for my 'intuitive line painting'
a colleague suggested that my process creates a look similar to batik.


This is quite an undertaking so watch this space as there is more to come ...
thank you and peace

Thursday, November 30, 2017

'out beyond ...', my contribution to the Medicine Wheel's Day Without Art

'out beyond ...' acrylic on board, 2x2ft
This fall Michael Dowling put out a call for artist to create one of 1,000 panels to be exhibited during  Medicine Wheel's Day without Art and I jumped at the opportunity.  I have worked with Michael and Medicine Wheel on numerous occasions and each time has been a rewarding and inspiring experience,  as was the case with this time. 

The vigil starts tonight at 11:30pm at the BCA and continues for 24 hours. Here is more information about the event, a link to Medicine Wheel Productions as well as a link to donate to this important community.  And below that information is a bit about this painting as well as a visual documentation of the many stages that the painting went through.  Enjoy! 

Day Without Art
World AIDS Day 
Friday December 1, 2017
Boston Center for the Arts 
539 Tremont Street 
Boston, MA 02116 
Vigil begins at 11:30 pm on 
Thursday November 30th 
on the BCA Plaza 
and runs for the full 24 hours of Friday December 1st 
ending at Midnight. 
Gather at 11:30 for a processional walk into the Cyclorama Plaza! 


In 1987 a small group gathered in a San Francisco storefront to document the lives they feared history would forget. This action served as the beginning of the Names Project, also known as the AIDS Memorial Quilt. Today, 30 years later, over 1000 artists, visual and performing, have re-invested in the power of that action to create a space to hold the human heart, a space to reflect, a space to remember, a space to see who we can be for ourselves and one another. 
To honor this anniversary we will be displaying a large section of the AIDS Memorial Quilt during the vigil. 
Please bring an offering of remembrance to leave in one of the Medicine Wheel shrines. 


Now about 'out beyond ...' 

This Fall I saw this call for art,
" As we gear up for the 26th annual Medicine Wheel and the 29th Day Without Art/ World AIDS Day we are looking for 1000 artists to re-invest in the power of Art and Healing to create a space that holds the human condition. Please consider painting a 2 foot by 2 foot panel with the theme of AIR in the colors of the sky to be part a the 1000 voice mural at the Boston Center for the Arts December 1."
and I happily answered YES

With the theme of AIR and the colors of the sky I decided I would work in blues and revisit my ' intuitive line paintings' from my installation that I creates in 2009 with Medicine Wheel, 'this comes from within ...'  Painting the walls for that installation is one of my fondest creative moment memories!!
'wall detail' from 'this comes from within ...'
 I love how organic these method of painting is for me.  
This painting method is a true dialogue between me and the work, 
as you will see how this painting went through so many versions 
before the painting and I agreed it was finished.  

When I got the blank white 2x2 board I started out by painting in big letters,
"Out beyond ideas of wrongdoing and rightdoing"
Recently I am enamored with Rumi's poems and 
especially this line and the meaning of these words.
Once the words were painted, my journey began, shapes and objects appeared
and disappeared.  
in this photo you can still see a few of the lettering ...

at this point the lettering has vanished ...








now is the time with the subtle changes ... this can also be the most frustrating time
as I don't want to overwork the painting, but somethings still don't feel right
painting in my living room, my daughters are so patient with me :)
voila - the finished painting, waiting to head back to Medicine Wheel Productions




Wednesday, March 15, 2017

Maria Sibylla Merian


Maria Sibylla Merian: Artist, Naturalist, scientific illustrator,  botanical artist, entomologist, social 
activist, traveler, mother.
(this post has fallen victim of my desire to share all the wonders of this amazing woman.  I love her work, her chutzpah, her interests and her paintings.  Her work has also influenced many areas of my work, see below)


She is also an example of an strong independent woman as she traveled alone with her daughter Dorothea in pursuit of her work. In 1699, Merian received a grant from the city of Amsterdam allowing Merian to travel to the Dutch colony of Surinam, South America.  This was, as Merian stated, " a long dreamed of journey to Suriname."(Foreword from Metamorphosis insectorum Surinamensium (Metamorphosis of the Insects of Surinam)



During the two years that she was there, she traveled around the colony studying and sketching the local flora and fauna, and she drew from direct observation of the insects which was not a common practice of the time, this allowed her to document much more than had been shown before.  Also since her sole reason for her trip was scientific study her trip may have been one of the first travelers to "plan a journey rooted solely in science."(Reidell, Heidi (April 2008). "A Study of Metamorphosis". Americas. 60 (2): 28–35. Retrieved 10 August 2015. )



  Because of her careful observations and documentation of the metamorphosis of the butterfly, she is considered by David Attenborough[4] to be among the most significant contributors to the field of entomology. She was a leading entomologist of her time and she discovered many new facts about insect life through her studies.[5]

It was also during her trip to Suriname that she spoke up for the mistreatment of the natives and the slaves by the Dutch.



 here is some of the ways her work has influenced me ... BUGS!!!


'metamorphosis ...'
a collaborative project/dress
with the student body that would be presented at the Dana Hall Fashion Show

bugs I commissioned for a toy company a long time ago
they were put on 'pogs'

'lilith in blue ...' with accompanying paintings

detail of my installation 'this comes from within ...'



Sunday, January 10, 2016

the bustier is leaving the building ... the story behind the first eggshell dress

'eggshell dress ...' (2008)
me, removing my 'eggshell bustier...' from Renew Arts & Industry ...
the beginning .....
Just a few of the headlines from April 2007:
  • College Student Guns Down Dozens in Virginia (April 16): Male student kills two in a Virginia Tech dorm. Two hours later, he kills 30 more in a classroom building before committing suicide. The shooting rampage is the most deadly in U.S. history. Fifteen others are wounded.
  • Supreme Court Upholds Ban on Abortion Procedure (April 18): The ruling, 5–4, which upholds the Partial-Birth Abortion Ban Act, a federal law passed in 2003, is the first to ban a specific type of abortion procedure. Writing in the majority opinion, Justice Anthony Kennedy said, "The act expresses respect for the dignity of human life."Justice Ruth Bader Ginsburg, who dissents, called the decision "alarming" and said it is "so at odds with our jurisprudence" that it "should not have staying power."
  • Earthquake and Tsunami Strike the Solomon Islands (April 3): Magnitude 8.0 earthquake and tsunami that follows kill at least 20 people and destroy villages.
  • U.S. Squadron Hit by Suicide Bombers in Iraq (April 24): Nine U.S. soldiers are killed and at least 20 are wounded by two bombers attacking an American post in Diyala.
  • Bombs Kill Nearly 200 in Baghdad (April 18): Five bombs targeting Shiite neighborhoods ravage the Iraqi capital in the worst violence in weeks. One bomb alone kills about 140 in Sadr City area.
  • Bombs Kill Dozens in Algeria (April 11): Some 35 people are killed and hundreds are wounded when suicide bombers attack a government building in the capital, Algiers, and a police station on the outskirts of the capital. Al-Qaeda in the Islamic Maghreb claims responsibility for the attack.

It was April 2007 .... the Iraq war was a never ending quagmire, Mother Nature was making herself heard with Tsunamis, snow storms and tornados, taking lives and property, a male student went on a shooting spree on a collage campus and a good friend's marriage abruptly ended.               In April of 2007 I was feeling the fragility and pain of life quite clearly.  

As a way to deal with the overwhelming sense of loss and helplessness I headed to my studio.  
I had been collecting eggshells from my house and my neighbors, knowing  that they would be a beautiful and poignant material in which to create a dress, therefore I had a good collection of eggshells at my disposal. So as a way to center myself amongst all the craziness going in the world, I grabbed my eggshells and my hot glue gun and began building. I still remember thinking that the hot glue was so messy compared to the delicateness and fragility of the eggshells, but that dichotomy was appropriate for how I was feeling.

That first day of building was cathartic, I just grab whatever shell that was closest, I didn't think.   I didn't care if it was brown or white eggshell, I just needed to build something.  However the next day when I returned to my studio I was put off by the randomness of the colors of the shells; I didn't like it.  Yet I didn't want to start again,  I wanted to honor how the dress began. So to 'compromise' I started covering both the brown and white shells with smaller pieces of the opposite color shell, as a way of blending the two colors.  
And as happens so many times with my 'dressproject', my solution to camouflage the different color shells not only succeeded, but it also visually suggested lace.  I loved this suggestion but I had NOT planned it. This is the beautiful serendipity found in my 'dressproject'.

I continued to build the dress, embracing the messiness of the hot glue, using the ever-present wisps of hot glue to suggest dripping whites of the eggs.  While making this sculpture I needed to learn patience and mindfulness.  I learned the hard way not to just yank the hot glue gun's cord out of the wall, as it could and did go flying into the eggshell dress (clean up aisle 3).

Once the dress was finished I had the opportunity to exhibit it at the Natick Collection and the Arsenal Center for the Arts in Watertown, MA, 
the 'dressproject' at the Natick Collection, Natick, MA (2008)
where it got much attention ... 'look, those are eggshells?!?!?'


at the Arsenal Center for the Arts, Watertown, MA (2008)
Unfortunately, even with a well thought-out and throughly cushioned mode of transport, the traveling was too much for the sculpture and once she returned from Watertown, she succumbed to gravity.


It was odd because the dress didn't break in transit.  It was a day or so after returning from Watertown. 

I was in my studio when I heard a very soft crinkling sound, almost undetectable.  I stopped what I was doing to investigate.  At this time my studio had a leaky ceiling and possible rodent residences, so I wanted to see what was making this sound.



As I walked around my studio, ears straining, I realized that the sound was coming from my eggshell dress?!?! As I got closer to the sculpture I understood that it was crumbling and there was nothing I could do about it.  I tried to save it but only was able to salvage the top ...


 

But there was much I loved about this sculpture ~ the patterning created by the mosaic of eggshell, the beauty of the eggshells themselves and most of all, I wanted to honor the 'place' from where the piece started, it was a physical expression of how crazy fragile life was. 
So instead of scrapping the entire piece, I created the 'eggshell bustier ...' which I exhibited at my solo shows at the Dana Hall School, 2008 and the Holliston High School, 2009, before in took up residency in the offices of One80Visuals/ Renew Arts and Industry, Natick, MA.

There, the 'eggshell bustier ...'  stayed, quietly crumbling, until last Friday when I gingerly removed it. I was pleasantly surprised how the piece still had some integrity and I was able to transfer it into a bin in one piece.  And today, as my daughter Harriet spied it in the backseat of my car, she insisted that I salvage the eggshell dress/bustier yet again because, "it has been so many places."

'this comes from with ...' (2009)
Medicine Wheel Productions, Boston, MA


So we will see where the bustier will go from here, but it did inspire my room installation/environment, 'this comes from within ...' which is a very good thing....

peace